<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>greenfield-campoverde.com</title>
	<link>https://greenfield-campoverde.com</link>
	<description>greenfield-campoverde.com</description>
	<pubDate>Wed, 22 Oct 2025 12:40:32 +0000</pubDate>
	<generator>https://greenfield-campoverde.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Slideshow</title>
				
		<link>https://greenfield-campoverde.com/Slideshow</link>

		<pubDate>Sat, 12 May 2018 08:50:22 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/Slideshow</guid>

		<description>
	
	










</description>
		
	</item>
		
		
	<item>
		<title>Tropical Berlin</title>
				
		<link>https://greenfield-campoverde.com/Tropical-Berlin</link>

		<pubDate>Wed, 22 Oct 2025 12:40:32 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/Tropical-Berlin</guid>

		<description>


&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2544df923753a4ea55b6537dffdfc91d2ffa0cd339ba81f9a41c88bf55824390/TROPICAL-BERLIN.00_07_10_45.Still022.jpg" data-mid="239741492" border="0"  src="https://freight.cargo.site/w/1000/i/2544df923753a4ea55b6537dffdfc91d2ffa0cd339ba81f9a41c88bf55824390/TROPICAL-BERLIN.00_07_10_45.Still022.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/4b49d62885595c5c1bc17f4ac97e5b8412cec7e34d1d97a0262c36c997aed6b5/TROPICAL-BERLIN.00_07_41_34.Still023.jpg" data-mid="239741494" border="0"  src="https://freight.cargo.site/w/1000/i/4b49d62885595c5c1bc17f4ac97e5b8412cec7e34d1d97a0262c36c997aed6b5/TROPICAL-BERLIN.00_07_41_34.Still023.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/04986cb54c922079fd082619ff7c33f9726d5b2ca44d3a7e51bcd78c5dff3fd1/TROPICAL-BERLIN.00_09_26_36.Still025.jpg" data-mid="239741496" border="0"  src="https://freight.cargo.site/w/1000/i/04986cb54c922079fd082619ff7c33f9726d5b2ca44d3a7e51bcd78c5dff3fd1/TROPICAL-BERLIN.00_09_26_36.Still025.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/941b5ad64b9e3066aeaa7afdb6ccf0d9364306003740f9aac5e5763a4de3fe32/TROPICAL-BERLIN.00_09_50_46.Still026.jpg" data-mid="239741502" border="0"  src="https://freight.cargo.site/w/1000/i/941b5ad64b9e3066aeaa7afdb6ccf0d9364306003740f9aac5e5763a4de3fe32/TROPICAL-BERLIN.00_09_50_46.Still026.jpg" /&#62;

‘Tropical Berlin’ is a multi-part sound and film project exploring memory, migration, and healing through two iconic Berlin sites: the Tropical Greenhouse at the Berlin Botanic Garden and LeCorbusier’s Unité d’Habitation in the Westend.&#38;nbsp; The sound installation blends field recordings and ambient textures to evoke the story of the Coco de Mer palm tree (Lodoicea Maldivica) -destroyed in a WWII bomb raid and ceremonially returned decades later- as a symbol of displacement, survival, and return. Influenced by ayahuasca journeys, sound baths, and queer rituals, it offers a space for reflection and embodied memory.&#38;nbsp; The film follows a protagonist moving through LeCorbusier’s modernist housing block, treating the space as a vessel for memory, longing, and psychic transformation. Together, they reimagine botanical and architectural spaces as sites for processing intergenerational trauma and envisioning new queer futures. With special thanks to Antoine Vigne.




</description>
		
	</item>
		
		
	<item>
		<title>Voicenotes for Trevor </title>
				
		<link>https://greenfield-campoverde.com/Voicenotes-for-Trevor</link>

		<pubDate>Thu, 08 Jun 2023 11:26:56 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/Voicenotes-for-Trevor</guid>

		<description>
&#60;img width="6781" height="4526" width_o="6781" height_o="4526" data-src="https://freight.cargo.site/t/original/i/36cdc328f90bde2af6fafce3b806a3af59d84feb5ef7b6d6aeb1feabbf22a97a/D_G_C_010.jpg" data-mid="189840437" border="0"  src="https://freight.cargo.site/w/1000/i/36cdc328f90bde2af6fafce3b806a3af59d84feb5ef7b6d6aeb1feabbf22a97a/D_G_C_010.jpg" /&#62;
&#60;img width="6781" height="4526" width_o="6781" height_o="4526" data-src="https://freight.cargo.site/t/original/i/397ef5c184b203ada84e35e252ead8933b6b6515cfdf838b1923589f8149ea13/D_G_C_011.jpg" data-mid="189840485" border="0"  src="https://freight.cargo.site/w/1000/i/397ef5c184b203ada84e35e252ead8933b6b6515cfdf838b1923589f8149ea13/D_G_C_011.jpg" /&#62;
&#60;img width="6781" height="4526" width_o="6781" height_o="4526" data-src="https://freight.cargo.site/t/original/i/433d93f50da205d647f4b04ee14d9d9a626d50be2a03a30e904e37999b97ea7b/D_G_C_009.jpg" data-mid="189840503" border="0"  src="https://freight.cargo.site/w/1000/i/433d93f50da205d647f4b04ee14d9d9a626d50be2a03a30e904e37999b97ea7b/D_G_C_009.jpg" /&#62;
&#60;img width="6781" height="4526" width_o="6781" height_o="4526" data-src="https://freight.cargo.site/t/original/i/96c2d841bcfea2b631336ea0bd368c7cabe88abf7e7117fbc0d9f15fecad78e3/D_G_C_008.jpg" data-mid="189840561" border="0"  src="https://freight.cargo.site/w/1000/i/96c2d841bcfea2b631336ea0bd368c7cabe88abf7e7117fbc0d9f15fecad78e3/D_G_C_008.jpg" /&#62;

‘Voicenotes for Trevor and Travels for Derek’ is an infinitely looped video addressing themes of displacement and queer migration.&#38;nbsp; Blending screenshots of archival 16mm film together with HD video, the video journeys through undisclosed travel locations in order to arrive at Derek Jarman’s garden at Prospect Cottage in Dungeness, Kent, UK. Structured by a repeating Whatsapp voice note received from friend Trevor Norris, this mini travelogue ponders the need for queers’ relocation in order to find safe haven. Installed behind a Boeing 737 fuselage section, the video diptych invites the audience to recenter the experience of looking out from an airplane window; not as a passive observers, but rather, as active listeners to urgent testimonies.
</description>
		
	</item>
		
		
	<item>
		<title>Leave to Enter</title>
				
		<link>https://greenfield-campoverde.com/Leave-to-Enter</link>

		<pubDate>Thu, 03 Feb 2022 16:54:48 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/Leave-to-Enter</guid>

		<description>
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/737bdf790585a33eb450af34c30196027c946306af07d4f567a3d2ee1c15ed60/007.jpg" data-mid="132374451" border="0"  src="https://freight.cargo.site/w/1000/i/737bdf790585a33eb450af34c30196027c946306af07d4f567a3d2ee1c15ed60/007.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/9130c60c9539ccea5999654a14441a1b673dada836fca8d64e860f7a150de50f/004.jpg" data-mid="132374522" border="0"  src="https://freight.cargo.site/w/1000/i/9130c60c9539ccea5999654a14441a1b673dada836fca8d64e860f7a150de50f/004.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/5f4818a236f3565ff47a6576efc25400d2fc86d2a1d62517b7e0a290c7a270b3/005.jpg" data-mid="132374558" border="0"  src="https://freight.cargo.site/w/1000/i/5f4818a236f3565ff47a6576efc25400d2fc86d2a1d62517b7e0a290c7a270b3/005.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/5faca19ee1e61a7b4e3b5a15103d6810fef3877b70c8f1ea5696d99d0266b7d7/006.jpg" data-mid="132374608" border="0"  src="https://freight.cargo.site/w/1000/i/5faca19ee1e61a7b4e3b5a15103d6810fef3877b70c8f1ea5696d99d0266b7d7/006.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/693fccdf3487f5f4d698da0b6af6192dcee1bc5c90fe3fdbe11ba62409faa0ea/008.jpg" data-mid="132374609" border="0"  src="https://freight.cargo.site/w/1000/i/693fccdf3487f5f4d698da0b6af6192dcee1bc5c90fe3fdbe11ba62409faa0ea/008.jpg" /&#62;

Vimeo link here

‘Leave to Enter (Bienvenido a Londres)’, explores my experience of relocating from New York City to London in September of 2021. The video is a diaristic account of my arrival into London and is titled after the permission for immigration/entry into the United Kingdom. It centers around the experience of Jet-Lag as a metaphor for alienation and displacement, and portrays a city in darkness, mostly, as seen through the lens of brutalist architecture, queer nightclubs and spaces of transit. In Spanish with English subtitles.</description>
		
	</item>
		
		
	<item>
		<title>Monument to the In-Between</title>
				
		<link>https://greenfield-campoverde.com/Monument-to-the-In-Between</link>

		<pubDate>Thu, 08 Jul 2021 16:51:40 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/Monument-to-the-In-Between</guid>

		<description>&#60;img width="583" height="737" width_o="583" height_o="737" data-src="https://freight.cargo.site/t/original/i/6ff5e9d9aca46d6472addb0b34256a72722918b0fcf47437f742dbe0387f8ee0/04_DGC.jpg" data-mid="113384956" border="0"  src="https://freight.cargo.site/w/583/i/6ff5e9d9aca46d6472addb0b34256a72722918b0fcf47437f742dbe0387f8ee0/04_DGC.jpg" /&#62;&#60;img width="800" height="567" width_o="800" height_o="567" data-src="https://freight.cargo.site/t/original/i/90f67bb38e3bf647ac873c9c4e7bbfc04650edeeebaed0ac13aba19294ef6446/s-l1600.jpg" data-mid="113386877" border="0"  src="https://freight.cargo.site/w/800/i/90f67bb38e3bf647ac873c9c4e7bbfc04650edeeebaed0ac13aba19294ef6446/s-l1600.jpg" /&#62;Ongoing archive of airport postcards from places I have lived in (Caracas-New York-London).</description>
		
	</item>
		
		
	<item>
		<title>Longues-Sur-Mer</title>
				
		<link>https://greenfield-campoverde.com/Longues-Sur-Mer</link>

		<pubDate>Wed, 07 Jul 2021 19:39:11 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/Longues-Sur-Mer</guid>

		<description>
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/94a9994d7d2493cad675ffb3e36a2508e2a43eb0e5f0d1066e8d1ed980e116a0/Sequence-01.00_06_50_44.Still001.jpg" data-mid="239747661" border="0"  src="https://freight.cargo.site/w/1000/i/94a9994d7d2493cad675ffb3e36a2508e2a43eb0e5f0d1066e8d1ed980e116a0/Sequence-01.00_06_50_44.Still001.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/4c440a273c6d7d8baf9d424babb54139738d208f54930a173e78c195f559a53c/Sequence-01.00_06_57_04.Still002.jpg" data-mid="239747662" border="0"  src="https://freight.cargo.site/w/1000/i/4c440a273c6d7d8baf9d424babb54139738d208f54930a173e78c195f559a53c/Sequence-01.00_06_57_04.Still002.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2a59f80d097b238f3332018237d859495a831a3930b96d51939e0ca8dd04e4db/Sequence-01.00_07_19_14.Still004.jpg" data-mid="239747675" border="0"  src="https://freight.cargo.site/w/1000/i/2a59f80d097b238f3332018237d859495a831a3930b96d51939e0ca8dd04e4db/Sequence-01.00_07_19_14.Still004.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ec0aa8d5289e5f0d6cb8b9f1338b3ad12f6d39bab494499a263707564ce4ad50/Sequence-01.00_07_11_37.Still003.jpg" data-mid="239747670" border="0"  src="https://freight.cargo.site/w/1000/i/ec0aa8d5289e5f0d6cb8b9f1338b3ad12f6d39bab494499a263707564ce4ad50/Sequence-01.00_07_11_37.Still003.jpg" /&#62;

&#38;nbsp;
Vimeo link&#38;nbsp;here

This performance took place  amidst the ruins of a WWII Nazi artillery bunker in Longues-Sur-Mer, Normandy, France on July 10, 2019. By embodying a nonsensical choreography, I wanted to reify the absurdity of war by making vain attempts to leap over this colossal concrete structure. Blending forms specific to vogueing and improvisational dance, the video is spliced by screenshots of fragments from the Berlin Wall being sold on eBay at that time. By weaving the space of tourism with the space of the internet, I wanted to consider how we might revisit a past being commodified In the present. The audio track accompanying the video is the song “The Ruins of Berlin” by Marlene Dietrich (from the soundtrack of the 1948 film "A Foreign Affair").
</description>
		
	</item>
		
		
	<item>
		<title>Cigarettes are Cheaper in Poland (Border Crossing)</title>
				
		<link>https://greenfield-campoverde.com/Cigarettes-are-Cheaper-in-Poland-Border-Crossing</link>

		<pubDate>Wed, 07 Jul 2021 16:26:28 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/Cigarettes-are-Cheaper-in-Poland-Border-Crossing</guid>

		<description>&#38;nbsp;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/456f52d2320c361e9f2735af7a695eeea8c8c3e49d3861f9e67ddb4b7e083fda/007.jpg" data-mid="113284414" border="0"  src="https://freight.cargo.site/w/1000/i/456f52d2320c361e9f2735af7a695eeea8c8c3e49d3861f9e67ddb4b7e083fda/007.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/950f65046565c75de612238f7150c436440e1c8c8e07b751ba17eced51799466/006.jpg" data-mid="113284535" border="0"  src="https://freight.cargo.site/w/1000/i/950f65046565c75de612238f7150c436440e1c8c8e07b751ba17eced51799466/006.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/58507be8d2172630ef89683dfd86f1869622d1d469f5a1b70712f5924db67b97/005.jpg" data-mid="113284724" border="0"  src="https://freight.cargo.site/w/1000/i/58507be8d2172630ef89683dfd86f1869622d1d469f5a1b70712f5924db67b97/005.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/6dc198b84c0164733d399293276028ce0b3e7792a660a1fe3f8687071920f6b5/008.jpg" data-mid="113284743" border="0"  src="https://freight.cargo.site/w/1000/i/6dc198b84c0164733d399293276028ce0b3e7792a660a1fe3f8687071920f6b5/008.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/07edc315ae9e6d78b0c38857ca9babe1c510ce22ab18fc2ee191aa8cd296ee47/003.jpg" data-mid="113284757" border="0"  src="https://freight.cargo.site/w/1000/i/07edc315ae9e6d78b0c38857ca9babe1c510ce22ab18fc2ee191aa8cd296ee47/003.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/73af36830fd72f7edde47dd9553778d3f2c8ddc8979ba332fcc5386693bbe6b0/002.jpg" data-mid="113296077" border="0"  src="https://freight.cargo.site/w/1000/i/73af36830fd72f7edde47dd9553778d3f2c8ddc8979ba332fcc5386693bbe6b0/002.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/cc08d0fe6e2581d7446cf2a0d2fd3e378e62ab64d0c92c0a889e60327b86578b/001.jpg" data-mid="113296079" border="0"  src="https://freight.cargo.site/w/1000/i/cc08d0fe6e2581d7446cf2a0d2fd3e378e62ab64d0c92c0a889e60327b86578b/001.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/607dfa2428baeb070777b164f82542cde53e8f018f1a0cf57676e8aefc384062/009.jpg" data-mid="113296593" border="0"  src="https://freight.cargo.site/w/1000/i/607dfa2428baeb070777b164f82542cde53e8f018f1a0cf57676e8aefc384062/009.jpg" /&#62;

Vimeo link here

‘Cigarettes are Cheaper in Poland (Border Crossing)’ is a durational video piece taking place simultaneously between the German-Polish border (Frankfurt an der Oder, DE / Słubice, PL) and Jerusalem, Israel/Palestine. Performed on the 80th anniversary of the Nazi invasion into Poland -September 1, 2019- the work is thought of as a “counter-invasion clandestine walk” in the opposite direction, from Poland into Germany. Envisioned as an elegy to my recently deceased grandfather, the video is intercut with place-names from his testimony as a war survivor. To avoid detention by the border police, a Go-Pro camera was attached to my ankle. Special thanks to Ali El-Darsa and Meital Katz-Minerbo.</description>
		
	</item>
		
		
	<item>
		<title>CV</title>
				
		<link>https://greenfield-campoverde.com/CV</link>

		<pubDate>Sat, 12 May 2018 16:48:10 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/CV</guid>

		<description>Daniel Greenfield-Campoverdeb. 1984 Caracas, VenezuelaLives and Works in London,UKEducation2023&#38;nbsp; &#38;nbsp; MFA Fine Art. Goldsmiths, University of London. London, UK
2014&#38;nbsp; &#38;nbsp; &#38;nbsp;M. Architecture II, Yale University. New Haven, CT 2006&#38;nbsp; &#38;nbsp; B. Architecture, Pratt Institute. Brooklyn, NY Solo Exhibitions2025 &#38;nbsp;&#38;nbsp; “Structures for Jet-lag”. Pause/Frame Gallery, The Koppel Project. London, UK.&#38;nbsp;
2022 &#38;nbsp;&#38;nbsp; “Rear Window”. Hua International Gallery. Berlin, DE.

Group Exhibitions
2024 &#38;nbsp;&#38;nbsp; “Society: Or Infinite Rehearsals”. SAVVY Contemporary. Berlin, DE.&#38;nbsp;
2024 &#38;nbsp;&#38;nbsp; “ABG Emerging”. Alice Black Gallery. London, UK.
2024 &#38;nbsp;&#38;nbsp; “Mixed Feelings”. Alice Black Gallery. London, UK.&#38;nbsp; &#38;nbsp;
2023 &#38;nbsp;&#38;nbsp; “LUX Book Fair 2023: Print Print Print“. Lux. London, UK.
2023 &#38;nbsp;&#38;nbsp; “If Splash as Your Whistle, Vol. 2”. Iklectic. London, UK.
2023 &#38;nbsp;&#38;nbsp; “Goldsmiths MFA Degree Show”. London, UK. 
2023 &#38;nbsp; &#38;nbsp; “Strike”. Forma Arts Media. London, UK.&#38;nbsp; &#38;nbsp;
2023 &#38;nbsp;&#38;nbsp; “Lucid Borders”. Art Exchange. University of Essex. Colchester, UK.
2023&#38;nbsp; &#38;nbsp; &#38;nbsp;“Out of the Box 5”. Tel Aviv, IL.
2023 &#38;nbsp;&#38;nbsp; “Ripened on a Tree”. Fitzrovia Gallery. London, UK.
2022 &#38;nbsp; &#38;nbsp; “Menu”. Fleisch Galeria. Madrid, ES.&#38;nbsp;
2022 &#38;nbsp;&#38;nbsp; “In Living Memory”. New Cross Learning. London, UK.
2021 &#38;nbsp;&#38;nbsp; “Bronx Calling: The Fifth AIM Biennial”. Bronx Museum of the Arts. New York, NY.
2021 &#38;nbsp;&#38;nbsp; “Sobre/Mesa”. Clemente Soto Velez Foundation. New York, NY.

2019 &#38;nbsp;&#38;nbsp; “Playground”. Curated by Veronica Flom and Camilo Godoy. Dot Fityone Gallery. Miami, FL.

2019 &#38;nbsp;&#38;nbsp; “(NO) Fun”. Empirical Nonsense. New York, NY.
2019 &#38;nbsp;&#38;nbsp; “Supported at Its Ends, Hanging by its Weight”. Curated by LAZO at the Loisaida Center. New York, NY
2018 &#38;nbsp;&#38;nbsp; “A Strong Desire”. Co-curated by Justin Polera and Aleksandr Blanar. PS120. Berlin, DE.
2018 &#38;nbsp;&#38;nbsp; “OpenHaus”. Zentrum für Kunst und Urbanistik”. Berlin, DE.



2018 &#38;nbsp;&#38;nbsp; “Arte/facto”. Curated By Sonja Gandert. Profoundation. Brooklyn, NY.
2017 &#38;nbsp; &#38;nbsp; "Almost Home: Between Staying and Leaving". Curated by Shlomit Dror. Dorsky Gallery. Long Island City, NY. 2016&#38;nbsp; &#38;nbsp; “May I Introduce (Ver.II)”. Curated by Hermes Payrhuber. Lantern Hall. Brooklyn, NY.2016&#38;nbsp; &#38;nbsp; "Like Smoke". Curated by Osman Can Yerebakan. Equity Gallery. New York, NY.2016&#38;nbsp; &#38;nbsp; "Re:Cap Thirty Years at Momenta Art". Momenta Art. Brooklyn, NY.2016&#38;nbsp; &#38;nbsp; "Appetite for Destruction". Summer Group Show. Wassaic Artists Residency. Wassaic, NY.2016&#38;nbsp; &#38;nbsp; "Magical (un)Real: Entranced Land". Momenta Art. Brooklyn, NY.&#38;nbsp;2015&#38;nbsp; &#38;nbsp; “Conceived Without Sin”. Curated by Tam Gryn. Radiator Arts Gallery. Long Island City, NY.2014&#38;nbsp; &#38;nbsp; “Helicoides Posibles”. Curated by Celeste Olalquiaga. Centro Cultural Chacao. Caracas, VE.2014&#38;nbsp; &#38;nbsp; “Curated by Nolita”. The Nolitan Hotel. New York, NY.
Awards and Residencies
2025&#38;nbsp; &#38;nbsp; Xenia Creative Retreat. Hampshire, UK. &#38;nbsp;&#38;nbsp;
2025&#38;nbsp; &#38;nbsp; ZK/U - Zentrum für Kunst und Urbanistik. Berlin, DE. 
2023&#38;nbsp; &#38;nbsp; Shorlist for Bloomberg New Contemporaries Award. London, UK.
2023 &#38;nbsp;&#38;nbsp; Shortlist for Almacantar Award. London, UK.&#38;nbsp;
2022 &#38;nbsp; &#38;nbsp; In Living Memory Award, Lewisham London Borough of Culture 2022. London, UK.
2018 &#38;nbsp; &#38;nbsp; Artist in the Marketplace Residency, Bronx Museum of the Arts, Bronx, NY.
2018 &#38;nbsp; &#38;nbsp; ZK/U Zentrum für Kunst und Urbanistik.&#38;nbsp; Berlin, DE.&#38;nbsp;2017 &#38;nbsp; &#38;nbsp; Hangar Centro de Investigação Artística, Lisbon, PT.2017 &#38;nbsp; &#38;nbsp; Asylum Arts Traveling Fellowship2015 &#38;nbsp; &#38;nbsp; Wassaic Artists’ Residency. Wassaic, NY.2015 &#38;nbsp; &#38;nbsp; Obras Art Foundation. Estremoz, PT.2012 &#38;nbsp; &#38;nbsp; Travel Grant. Paul Mellon Centre for Studies in British Art. Yale University. New Haven, CT.2007 &#38;nbsp; &#38;nbsp; International Summer Program, The Watermill Center. Watermill, NY.Selected Press
 

2022&#38;nbsp; &#38;nbsp; Cox, Sarah. “Lewisham history project begins by imagining lives lost to WW2 bomb”.&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; https://www.gold.ac.uk/news/in-living-memory-launch/. Feb 11. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
2022&#38;nbsp; &#38;nbsp; “Bronx Calling Recognizes Artists’ Individuality but Neglects Art-World Gentrification”. Hyperallergic. January 17, 2022.2022 &#38;nbsp; &#38;nbsp; “The People Make the Place”. Prattfolio. Spring 2022 edition.
2019 &#38;nbsp;&#38;nbsp; “Playground”. Terremoto. Online Edition. Sept. 14.
2017 &#38;nbsp; &#38;nbsp; Cascone, Sarah "The 30 Hottest Group Shows to See in New York This Summer". Artnet News. Online edition. July 3.2017 &#38;nbsp; &#38;nbsp; Chiragdin, Nick. "Holding on and letting go of home, at Dorsky". The Queens Chronicle. June 22.2016 &#38;nbsp; &#38;nbsp; NYFA, Immigrant Artist Program Newsletter "Featured Events". June 28.2016 &#38;nbsp; &#38;nbsp; "MAGICAL (UN)REAL: ENTRANCED LAND" Artischock Revista. Online Edition. June 10.2016 &#38;nbsp; &#38;nbsp; "Latinomérica: Tierra en trance o irrealismo mágico". Tráfico Visual. Online Edition.2015 &#38;nbsp; &#38;nbsp; Herron, Rick "BRIC Short List Curator". Bric Arts Media. Online edition2015 &#38;nbsp; &#38;nbsp; Marsova, Lisa “The Best of Bushwick Open Studios 2015” Arte Fuse Magazine. Online edition2014 &#38;nbsp; &#38;nbsp; Martinez, Andreina “Artistas y Arquitectos Proponen sus Helicoides” El Nacional. Caracas, Sept.112013 &#38;nbsp; &#38;nbsp; Artemel, AJ “The Fractured Cityscapes of Daniel Greenfield” Architizer. New York. July 8</description>
		
	</item>
		
		
	<item>
		<title>My Absent Body(ies)</title>
				
		<link>https://greenfield-campoverde.com/My-Absent-Body-ies</link>

		<pubDate>Sun, 13 May 2018 19:48:27 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/My-Absent-Body-ies</guid>

		<description>
&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/ea8da8ee6e2e1e6276202c2d01c6bc97024bdc3a368951ac76944ac54853c0c5/DGC_16.jpg" data-mid="16455825" border="0"  src="https://freight.cargo.site/w/1000/i/ea8da8ee6e2e1e6276202c2d01c6bc97024bdc3a368951ac76944ac54853c0c5/DGC_16.jpg" /&#62;
&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/1b752dcd7f1de85f42a62f1e0dd567a1b1cc54924c694a13d832c9f6911b4d54/DGC_17.jpg" data-mid="16455826" border="0"  src="https://freight.cargo.site/w/1000/i/1b752dcd7f1de85f42a62f1e0dd567a1b1cc54924c694a13d832c9f6911b4d54/DGC_17.jpg" /&#62;
&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/b415143d0856d953afaeb0e576edee5d4b393b4cf9f13ed5cbce2392868eb9d2/DGC_18.jpg" data-mid="16455827" border="0"  src="https://freight.cargo.site/w/1000/i/b415143d0856d953afaeb0e576edee5d4b393b4cf9f13ed5cbce2392868eb9d2/DGC_18.jpg" /&#62;
&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/01d17835671f0901f5f8df29a4c40eec56147927405d3fef988b573ae9dc1d90/DGC_19.jpg" data-mid="16455828" border="0"  src="https://freight.cargo.site/w/1000/i/01d17835671f0901f5f8df29a4c40eec56147927405d3fef988b573ae9dc1d90/DGC_19.jpg" /&#62;
&#60;img width="9186" height="5930" width_o="9186" height_o="5930" data-src="https://freight.cargo.site/t/original/i/b062484111405b4ca32cdf55d2be9a28590f981a39ebc11ec315eccb7bb13063/DANIEL_GREENFIELD_CAMPOVERDE_001.jpg" data-mid="217338196" border="0"  src="https://freight.cargo.site/w/1000/i/b062484111405b4ca32cdf55d2be9a28590f981a39ebc11ec315eccb7bb13063/DANIEL_GREENFIELD_CAMPOVERDE_001.jpg" /&#62;
&#60;img width="8961" height="5980" width_o="8961" height_o="5980" data-src="https://freight.cargo.site/t/original/i/4f5030025df3b03d97f69c92d569febb098cc3b17a8d970897c280636549cd67/DANIEL_GREENFIELD_CAMPOVERDE_006.jpg" data-mid="217338295" border="0"  src="https://freight.cargo.site/w/1000/i/4f5030025df3b03d97f69c92d569febb098cc3b17a8d970897c280636549cd67/DANIEL_GREENFIELD_CAMPOVERDE_006.jpg" /&#62;
&#60;img width="8732" height="5827" width_o="8732" height_o="5827" data-src="https://freight.cargo.site/t/original/i/2d3f9fa4e0016748b77c6bf0403d7be6dec2bd37d1faac054d34f40206a4c985/DANIEL_GREENFIELD_CAMPOVERDE_003.jpg" data-mid="217338238" border="0"  src="https://freight.cargo.site/w/1000/i/2d3f9fa4e0016748b77c6bf0403d7be6dec2bd37d1faac054d34f40206a4c985/DANIEL_GREENFIELD_CAMPOVERDE_003.jpg" /&#62;
&#60;img width="9028" height="6034" width_o="9028" height_o="6034" data-src="https://freight.cargo.site/t/original/i/ac8a16448fd9c5837abb5d292fe6444d3a689b87db6d2cdad36f08d902740713/DANIEL_GREENFIELD_CAMPOVERDE_002.jpg" data-mid="217338234" border="0"  src="https://freight.cargo.site/w/1000/i/ac8a16448fd9c5837abb5d292fe6444d3a689b87db6d2cdad36f08d902740713/DANIEL_GREENFIELD_CAMPOVERDE_002.jpg" /&#62;


Photo credits: Romina Hendlin and Studio Adamson


My Absent Body(ies) samples material from Physique Pictorial, a quarterly publication founded by Bob Mizer in 1951, which utilized bodybuilding and classical art imagery as a cover for soft pornography. Beginning in the 1960s, the models portrayed therein, were accompanied by a series of symbols from Mizer’s “Subjective Character Analysis”, a sort of ciphered alphabet about the models inclinations- some of them tame, titillating and often, verging on criminal descriptions (i.e. “petty thieves” and/or “physically dangerous”). By removing the silhouette of the bodies, I wanted to reify this social construct as an abstract gesture lingering between the sexual and the violent. 

</description>
		
	</item>
		
		
	<item>
		<title>Jet Set Nostalgia</title>
				
		<link>https://greenfield-campoverde.com/Jet-Set-Nostalgia</link>

		<pubDate>Tue, 19 Jun 2018 19:33:27 +0000</pubDate>

		<dc:creator>greenfield-campoverde.com</dc:creator>

		<guid isPermaLink="true">https://greenfield-campoverde.com/Jet-Set-Nostalgia</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="900" height="608" width_o="900" height_o="608" data-src="https://freight.cargo.site/t/original/i/462db21eeb36270d53809cfdaf712c97edb28d1b6785e60cf26d05f7bd75535e/JET-SET-NOSTALGIA.jpg" data-mid="19723866" border="0"  src="https://freight.cargo.site/w/900/i/462db21eeb36270d53809cfdaf712c97edb28d1b6785e60cf26d05f7bd75535e/JET-SET-NOSTALGIA.jpg" /&#62;
In 2007, the Chavista regime began a long series of expropriations of which the hospitality industry was also a hard-hit victim. "Jet-Set Nostalgia" pairs the logos of the former Caracas Hilton Hotel, now renamed Alba Caracas. Alba, meaning dawn in Spanish, is also an acronym of Chávez's regional grouping, the Bolivarian Alliance for the Americas.
</description>
		
	</item>
		
	</channel>
</rss>